Post Edinburgh thoughts

Its always hard to figure out what to do next with a piece after a major festival/performance. I've been going back to the 'drawing board' and thinking of how this piece can develop. As a choreographer, sometimes I'm always looking for a way to reinvent a piece that I've created and put on a stage. With Habitat, I may go backwards in time to my original idea of mounting it in a gallery type setting or a white box theater. I also want to get the projections to shoot off the dancers' bodies as the light fragments on their bodies because its a metaphor for the person living in a world that feels like a sum of all worlds. Visually, I think this would look really exciting.
I'm rambling a bit from my thoughts... I will leave you with a documentary film that Laura Lamp edited and shot during the performance run titled "Dreaming to Escape"

Dreaming to Escape from Nesby Darbfeld on Vimeo.

Preview from Alaine's solo text

I wrote a poem that I recorded to be used as a soundscape for my solo in Habitat. Here's a snippet of it. I hope you like it!


This is me
What am I doing here?
These four walls, pillows, closet, dressers filled with clothing and relics of the past.
A near and distant memory of homes.
Memories.
Why do you want to know?
I’m weird.
I like to sleep with the lights on.

Habitat
Directed by Alaine Handa
Choreography by Alaine Handa and Dancers
Dancers: Alaine Handa, Belinda He, Laura Lamp, and Ezekiel Oliveira
July 31- August 31, 2013 @ 1:50 pm everyday
Edinburgh Fringe Festival
C Venues, venue 34, Adam House, Chambers Street, Edinburgh, United Kingdom
Purchase tickets: https://www.edfringe.com/whats-on/dance-and-physical-theatre/habitat
Habitat blog: http://www.habitatprojectahdc.blogspot.com

Habitat is supported in part by Singapore International Foundation's Singapore Internationale grant scheme (www.sif.org.sg) and Centre Stage School of the Arts (www.centre-stage.com).

Habitat of a Singaporean dancer: Kai Eng

In February, I went to the home of a Singaporean dancer, who had just moved back from living in Stockholm for a number of years. She had just moved into this apartment she shares with her boyfriend and her landlord that has typical Singapore views of government-subsidized housing called HDBs in an area that I'm not familiar with. Even though I've grown up living in Singapore, I didn't have many local friends as I attended an International school and an American school later on. Almost all of us lived in private condos and no one I knew lived in an HDB flat from my schools. I had very few local Singaporean friends who I'd met through the dance studios I trained at and through the ice rink (I used to be a figure skater). This particular dancer, I had met at the ice rink. She and I were rink buddies back in those youthful days. We sort of lost touch after I moved away from Singapore to the US but reconnected on Facebook. She became a modern dancer while in Sweden.

When we look at the Habitat we place ourselves in, it reflects a physical place of where we our in our life in that current moment. I had asked Kai why she didn't move back "home" with her mother and she replied that she was going to live with her boyfriend that moved with her from Sweden and didn't want to burden her mother. She chose her living arrangements. I believe that when we get to choose our own living arrangements, we are much happier wherever we are. We get to unleash our truest selves 24/7 instead of just behind closed doors.

Photo Credit: Alistair Chew (Visit his Tumblr blog with AMAZING Dance Photography! Tonight We Dance)

 
























 


Photo Credit: Alistair Chew (Visit his Tumblr blog with AMAZING Dance Photography! Tonight We Dance)

Her current habitat is humble and simple. Her landlord was excited to have us film and photograph in her apartment.


A BIG Thank you to Alistair Chew (Seriously check out his blog: Tonight We Dance) and Kai Eng for this photoshoot! I'll have more pics highlighted from that shoot that will be used as part of the backdrop for Habitat. 

A lone dancer in rehearsal

I have been conducting virtual rehearsals for a few months with Laura now working on her solo and this project, it got me to thinking about the process of rehearsing and how it changes the work we create in different types of situations and spaces. This piece is very much a collaborative process with my dancers because I'm working with them one-on-one and in the case of Laura, virtually. The ideas that I have come to fruitition entirely when we both come up with ideas. Back and forth emails. So much of how we live today exist in a virtual habitat and a physical habitat.

I know I'm not alone in this same process of creation. I've spoken to a number of artists who do collaborations trans-globally with each other seem to also work this way as well.

Now I'm curious because when I'm in a studio alone, I feel very much alone in my own skin. Even if I'm choreographing for something, I feel alone. Does anyone else feel this way? I wonder if Laura feels this way when she goes to the studio to work on Habitat. Maybe its different because she's accountable for these video recordings to send them to me so I can give feedback. Because there's that accountability.

I'm having a hard time shaping my own solo for this piece. Perhaps I should create an accountability and make videos as well to send to my dancers for feedback.

This is the most recent video of Laura's rehearsal. The solo is shaping up nicely. A little more tweaks and then I can be satisfied with it.


p.s. I like the studio that she's rehearsing in has light colored marley and white walls. I'm imagining all the projections behind her bouncing off.